By Stephanie March
By Dara Moskowitz Grumdahl
Harvest Beer Festival
By Parties Editors
The Morning After
By Tad Simons
Arts Off The Cuff
by Arts & Nightlife Editors
By Allison Kaplan
ASID MN Showcase Home
By Edina Realty
Super Real Estate Agents
Super Mortgage Professionals
The FAM Editors
By Emily Howald Sefton
By Real Brides-to-Be
Contributing editor Tad Simons is an award-winning journalist whose writing on the local arts scene has appeared in the Twin Cities Reader, City Pages, St. Paul Pioneer Press, American Theatre magazine, BackStage, Variety and the Washington Post. Over his 25 year career, Tad has covered theater, books, music, visual arts, dance, film, and performance art (including politics). Tad’s articles and essays on these and other subjects have won more than 30 local and national awards for editorial excellence.
Taken on its own terms, Ordway Center’s production of Cabaret is dazzling.
Ragamala’s Minneapolis concert marking the company’s fifteenth season opens with “Ardhanareeshwara Stotram,” a dance of the dual creation divinity, Shakti/Shiva.
The last time I saw August Wilson alive was in the bathroom of the old Guthrie, minutes before the premiere of Fences, which until last night was the first and only production of Wilson’s work the Guthrie had ever done.
“Is your line moving yet?” It was after 7 p.m. and my buddy Mark was texting me from further back in the line—he was on Kellogg and Wabasha.
Trust me, white people wrote about black people before we wrote about Barack Obama.
Wow. I haven’t danced that long in years. If the first thing that comes to mind when you think of George Michael is Wham!, then please stop reading this. You’re not in the club.
As Barack Obama delivered a rock star moment last night in Denver, a Minnesota-made documentary screened at the Walker that I suspect was also simulcast from Obama Command Central. David Axelrod, are you responsible for this?
Personally, I’ve never been a big fan of the traditional circus. Sad clowns, stupid human tricks, animals in tutus—it’s the sort of entertainment I imagine would be effective at Guantanamo Bay.
As the TV on the Radio show let out last night, and the First Avenue crowd spilled onto the corner of Seventh and First, a short fat dude with a beard held up a sticker of the Grateful Dead’s “Steal Your Face” skull, the red white and blue one with the electric bolt.
Rock ’n’ roll has a humor problem. There have been funny videos, and funny rock-star presenters at award shows, and even funny reality television shows starring rock stars. But when it comes to rock stars actually making funny music, historically, there's been a deficit.
A Joe Satriani concert is a freak show of sorts. One can almost picture him as a guitar-playing geek being pitched by a circus barker: “Come one, come all—come see the amazing Satriani, a musician whose superhuman speed defies the laws of nature."
In the pantheon of living guitar legends, Larry Coryell ranks right up there with the best of them, even though his name has less marquee value than many of the musicians he has spent his career playing with.
If you think Wall Street is awash in blood, you should've seen First Avenue last night. At 7 p.m, a healthy hour and a half before Oasis was set to go on, my buddy scalped a pair of tickets in the fourth row--$68 face value--for thirty bucks apiece.
I don’t know why Broadway has become a dumping ground for American Idol contenders. The show (which I love, by the way) is supposed to be a search for the next great American pop star.
Richard Nixon’s admission, in the legendary 1977 television interview with David Frost, that he “let the American people down,” may be the last time a U.S. president has looked into a TV camera and told the unvarnished truth.
Some of my best moviegoing experiences have been had in some of the most unhygienic theaters.
The increasingly popular thrash-metal band Slipknot kicked off its 2009 All Hope is Gone Tour at the Xcel Energy Center on Friday night, with lead singer Corey Taylor promising to “lay waste to the entire United States of America” during the band’s thirty-four-city romp across the country over the next two months.
Last Sunday’s New York Times Magazine profiled post-feminist sexologists.
If you’ve been following the dust-up over artist Shepard Fairey, you know that: a) the Associated Press is upset that Fairey didn’t ask permission to use a photo of Barack Obama taken by an AP photographer to create his now iconic “Hope” poster; b) Fairey sued AP over the matter before AP had a chance to sue him, and c) Fairey is now the most famous artist in the country.
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